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First of all, every cliché in this book is shattered almost before it hits your eyes. Even the evil popular girl is a fully realized human character. And her humanity reflects well upon her father who is the book's closest thing to cardboard.
Then the story, although at times it almost tastes like a typical teen empowerment tale, never succumbs to the temptations of lameness. From the first page, we are somewhere new and real and striking.
Page one: a bomb goes off.
Page fifteen: a girl rejects popularity for the weird crowd.
Page twenty-three: boy in coma.
Page seventeen: math.
And meanwhile, the art is dropping hints so subtly you don't realize you've caught them until they matter.
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(DC: contact me here)
11 comments:
This gives me great hope for the Minx imprint.
Sorry.
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Crap. That sucks.
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I feel obliged to point out (even if it is now everlastingly too late) that Cecil is a girl. Since I knocked the last title for being all boymade, I should have hit on her sex a little more clearly.
(So to speak.)
By the way, you're totally transparent here. We all know you reviewed these Minx titles only because I reviewed Wonder Woman and you wanted to hop on the feminist bandwagon. And we also know you're a man, which you neglected to point out.
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I figured my manliness was self-evident. A moniker like 'Th.' leaves no room for ambiguity.
http://www.fobcave.com/2008/11/gender-confusion.html remember remember
True, that does explain everything.
I need to review a prominent Marvel heroine now. One like....
Uh...
Wait! I've got it! An inspiring symbol for women everywhere! Sue Richards, the Invisible Woman!
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Because women should be invisible . . . ?
Misogynist.
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Exactly my point.
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